Critical acclaim for The Coldest Warrior

“With The Coldest Warrior, Vidich enters the upper ranks of espionage thriller writers.”
Publishers Weekly, Starred Review [read full review]

“A terse and convincing thriller.  This standalone work reaches a new level of moral complexity and brings into stark relief the often contradictory nature of spycraft.”

—  Wall Street Journal, Tom Noland

“Trench coats and fedoras abound in this old-school spy novel exploring one of the most infamous incidents in CIA history..”
The Times [London], Jeremy Duns 

“The inner workings of the US’s actual deep state during the cold war — most of all, the CIA — is evocatively portrayed in The Coldest Warrior, a finely written, taut novel.”
Financial Times [read full review]   

“The inner workings of the US’s actual deep state during the cold war — most of all, the CIA — is evocatively portrayed in The Coldest Warrior (Pegasus, US; No Exit Press, UK) by Paul Vidich. Justly praised by his peers, Vidich is an espionage novelist who deserves to be more widely known. His noir cold war spy stories are laced with echoes of Graham Green and Eric Ambler. Unusually for an author in this genre, Vidich has a very personal stake in his latest book. It was inspired by the fate of his uncle, Frank Olson, an army scientist who worked at a top-secret US army biological warfare facility. Olson died in 1953 when he jumped, fell or was thrown out of a 13th-floor hotel window in New York. His story was dramatised in the Netflix mini-series Wormwood. Here Olson is renamed Charles Wilson. His murder — ordered by the CIA — is chillingly portrayed. Twenty years later, Jack Gabriel, another CIA officer but one of the good guys, is ordered to find out what really happened. Gabriel’s investigation soon takes him to dark and very dangerous places in this finely written, taut novel.”


Critical acclaim for The Good Assassin

“Cuba in the late 1950’s provides a backdrop for Vidich’s simmering, old-fashioned literary spy tale.”
— Publishers Weekly [read full review]

“Paul Vidich’s likable and reluctant spy, George Mueller, will keep readers guessing in this eerily real Cuba of 1958. The Good Assassin is a keen historical adventure from the best noir tradition.”
Elizabeth Kostova, #1 New York Times bestselling author

The Good Assassin opens up Hemingway’s Cuba. Possessing Alan Furst’s attention for period detail and the deft character touches of John Le Carré, Vidich has quickly carved out a place for himself among the very first rank of espionage writers. It’s a masterful effort and the author’s best work to date.”
Michael Harvey, New York Times bestselling author of The Chicago Way

The Good Assassin is first-rate literary espionage . . . Author Paul Vidich has evoked not only the intrigue and brutality of Batista’s Cuba, but the island itself . . . a masterful work of noir fiction.”
Susan Isaacs, New York Times bestselling author of A Hint of Strangeness

“Vidich spins a tale of moral and psychological complexity, recalling Graham Greene…a rich, rewarding stew of uncertainty.”
— Booklist

Critical acclaim for An Honorable Man

‘There are moments in An Honorable Man…that make you feel like you’re intimately eavesdropping on people’s lives.’
– Writer’s Bone [read the full review]

‘Even the most jaded readers will be caught off-guard by the espionage and counter-espionage’
– Parnassus Musing [read the full review]

‘Dead-on Cold War fiction. Noir to the bone’
– Kirkus Reviews> [read the full review]

‘Fans of John le Carré will appreciate the backroom, clubby old-boy network that seemed to define spying in the 1950s’
– Publishers Weekly [read the full review]

‘An Honorable Man is one heck of a debut novel’
– The REAL Book Spy [read the full review]

‘Bestselling Irish author John Connolly has given An Honorable Man his seal of approval – it left him with “a warm satisfied glow” – and Stephen Schiff, writer of TV espionage hit The Americans, is also a fan. If it’s good enough for them …’
– RTE [read the full review]

‘An Honorable Man is that rare beast: a good, old fashioned spy novel. But like the best of its kind, it understands that the genre is about something more: betrayal, paranoia, unease, and sacrifice. For a book about the Cold War, it left me with a warm, satisfied glow.’
– John Connolly (International Bestselling Author of A Song of Shadows

‘Cold War spy fiction in the grand tradition – neatly plotted betrayals in that shadow world where no one can be trusted and agents are haunted by their own moral compromises’
– Joseph Kanon (bestselling author of Istanbul Passage and The Good German)

‘A cool, knowing, and quietly devastating thriller that vaults Paul Vidich into the ranks of such thinking-man’s spy novelists as Joseph Kanon and Alan Furst. Like them, Vidich conjures not only a riveting mystery but a poignant cast of characters, a vibrant evocation of time and place, and a rich excavation of human paradox’
– Stephen Schiff (writer and executive producer of acclaimed television drama The Americans)

‘An unputdownable mole hunt written in terse, noirish prose, driving us inexorably forward.’
– Olen Steinhauer, New York Times best selling author of The Tourist

‘Paul Vidich’s immensely assured debut, a requiem to a time, is intensely alive, dark, silken with facts, replete with promise.’
– Jayne Anne Phillips, New York Times best selling author of Lark and Termite

‘Vidich writes with a confidence that allows him to draw his characters in clean, simple strokes, creating dialogue that speaks volumes in a few spare lines while leaving even more for the reader to fathom in what’s not said at all.’
– Michael Harvey, New York Times best selling author of The Chicago Way

‘Vidich writes with an economy of style that acclaimed espionage novelists might do well to emulate’
– Booklist

‘One of Publishers Weekly’s Top 10 Mysteries and Thrillers for Spring 2016’
– Publishers Weekly [read the full review]

‘One of Real Book Spy’s 16 Books to Look Forward to in 2016’
– Real Book Spy [read the full review]

‘This is splendid stuff, with a complexity and reach that belies the book’s trim size. Vidich is clearly a name to watch’
– Barry Forshaw [read the full review]

‘Atmospheric, moving and enigma-laden, this is spy writing at its very best.’
– Renowned UK critic Maxim Jakubowski in Lovereading [read the full review]

Toronto Star reviewed An Honorable Man. “As his first novel, Paul Vidich has written a spy story in the tradition of John le Carre and Charles McCarry….It adds up to delicious stuff, told with elegance and a nice touch for suspense.”


Booklist gave An Honorable Man a starred review in their December 15 edition.

“Leaving Yale early, George Mueller joined the OSS and parachuted into occupied France to help partisans sabotage the Nazis. After the war, he became one of the first case officers in the new CIA, working in war-ravaged, starving Vienna. But now it’s 1953, and Mueller, the titular honorable man, sees himself as a “burnt-out case.” He wants to resign and become a teacher. But CIA Director Allen Dulles—beset by fears of a Russian mole in the agency, concern about Senator McCarthy’s self-glorifying witch hunt for Commies and homosexuals, and the turmoil in Moscow caused by Stalin’s death—asks Mueller to stay on and find the mole. First-novelist Vidich, a tech executive, debuts with a richly atmospheric and emotionally complex and tense tale of spies versus spies in the Cold War. His Washington is almost as dysfunctional as today’s. The agency must collaborate with the FBI on counterintelligence operations, and ham-handed FBI agents bring their own reporter to ensure fawning coverage for the bureau. Vidich writes with an economy of style that acclaimed espionage novelists might do well to emulate. This looks like the launch of a great career in spy fiction.”— Thomas Gaughan


Kirkus Review: “A moody debut spy novel inspired by real events…Dead-on Cold War fiction. Noir to the bone.”


Publishers Weekly review:  “Vidich’s well-written first novel is long on atmosphere.”


The Real Book Spy:

It’s my belief that the spy genre was at its absolute best during the Cold War era when authors like John Le Carre’ were writing thrilling tales of espionage and double-agents with whit and pizazz. In his debut novel, Paul Vidich takes readers back to that time, dropping them off in 1953 as the world’s two greatest superpowers prepare to wage war against one another. 

I started this book wanting to like it, and ended up loving it. An Honorable Man is a gripping showdown between spies with stakes that couldn’t possibly be any higher, and where nobody can be fully trusted.

An Honorable Man makes you feel like you’re in 1953. If you like movies such as Tinker Tailor Soldier Spy or Tom Hank’s 2015 spy flick A Bridge of Spies, you need to read this book. An Honorable Man is one heck of a debut novel, and is just the beginning of what should be a long and brilliant career. If you had the chance to go back in time and start reading John Le Carre’ from the very beginning, would you do it? Here’s your second chance – don’t miss it.


Maxim Jakubowski selected title.

On one hand you have the spy adventures which run along in overdrive and combine adventure and exotica a la James Bond and, on the other, are the sometimes deliberatly drab but realistic tales of jigsaw plots and devious minds, characterised by the disillusioned realism of John Le Carre, Charles McCarry, Robert Littell and Olen Steinhauer. This debut thriller places Vidich firmly in the second camp and right at the top of the table with instant effect. Doublecrosses, terribly fallible agents and spy hunters, the heart of the Cold War: it’s all been done before but when it’s plotted and written so well, with a care for the humanity of its torn by loyalties protagonists and the vagaries of unreliable history, I’m always a sucker for more. Atmospheric, moving and enigma-laden, this is spy writing at its very best. Maxim Jakubowski